![]() You might think such a narrative style would trip over itself, come across as contrived but not with Dafoe as it’s anchor. By that, we mean what is essentially a story within a story, within a story, within a story. The narrative style of Grand Budapest can be best summarised with one term: “Film-ception”. Dafoe tends to shine in this environment, as the two-dimensional look of these films emphasises what makes Dafoe look so great.įirst up, The Grand Budapest Hotel. Wes Anderson is renowned for his unique visual style: a typical shot in a Wes Anderson film includes vibrant colours, a distinctly homemade and antique look, and probably Bill Murray. We’re focusing this week on Dafoe’s collaborations with acclaimed director Wes Anderson: The Grand Budapest Hotel, Fantastic Mr Fox, and The Life Aquatic with Steve Zissou. As promised(over a year ago), we are here with a treat for all disciples of Dafoe: because one review is not enough, and two is too little, over the next week we hope to be presenting three Dafoe reviews for your reading pleasure.
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